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You Don’t Mess with the Zohan

Posted on September 22, 2008 | 2 Comments

“You will never see Jews depicted as bad people in Hollywood movies,” – Marlin Brando, the actor.
“Turning the Holocaust into a political asset, serves Israel primarily in its fight against the Palestinian,” – Amira Hass, Ha’aretz, April 18, 2007.
“You Don’t Mess with the Zohan” is the brain-child of Israel-First, Adam Sandler. The film tells the story of Zohan Dvir, the IDF’s Number 1 counter-terrorism killing machine who has simply grown tired of his military murderous engagement. At a certain stage, he fakes his own death while in action in order to pursue his real dream: that of becoming a hairstylist in NYC.
The film tries to depict the Zionist settlers as tough and brutal outside, but very human inside – and that the so-called “Israeli-Palestinian conflict” can be solved peacefully between two neighbours. The film ignore the very historic fact that while the Native Palestinian Muslims and Christians are mostly Semite people, who have lived in Palestine for the last 1,300 years – less the European Frankish era – the great majority of the Jew settlers now occupying 78% of Native land – are Khazarian Turks, who converted to Judaism in 10th century – and a very small minority of world’s 13.5 million Jewish population can claim to carry Semitic blood.
Israeli born Gilad Atzmon, who was Lt. Colonel in Israel Air Force (Reserve), before left Israel and settled in Britain. He is a renowned musician and believer in a “One Palestine State Solution”. In his review of the said film, he wrote:
Apparently all through the film, both the Arabs and the Israelis are under some severe pressure inflicted by Walbridge, an American real estate tycoon who wants to wipe the entire neighbourhood out and build a huge mall there instead.

Not before too long Walbridge hires the services of some ‘anti-Semite’ Islamophobic gang who are gladly committing themselves to jeopardising the fragile relationship within the Israeli-Palestinian community. Miraculously, towards the end of the movie, a cosmic enlightenment is embarking within the struggling community. The Israelis and the Palestinians reveal that it is Walbridge who sets them to fight each other in the name of ‘American capitalism’. Once they expose the plot, they end up fighting together against the American tycoon and his mercenaries. Not only do they fight, they even manage to win.

Zohan, the Israeli counter-terrorist and Phantom (John Turturro) the Islamic Jihad terrorist fight side by side against the anti-Semites.

As banal as it may sound, the tendency to recruit Palestinians to fight the Jewish Marxist wars (against capitalism) and Jewish tribal wars (against the ‘anti-Semites’) is symptomatic also to the Jewish Marxists within the Palestinian solidarity movement who insist that this is exactly what the Palestinian Solidarity campaign should engage with: as if Palestinians are short of battles to fight. Should it take us by surprise that Adam Sandler, a prime Zionist fundraiser and people who do their campaigning labelling themselves as Anti-Zionist Jews share the same agenda? Not at all. Once operating under a Jewish flag, the interests of the tribe come first. As much as we expect a Zionist to promote tribal interests, recruiting the Palestinians to serve Jewish tribal interests verges on the grotesque.
Annette Insdorf lists, together with fiction films, 69 documentaries made since 1990 alone – a rate almost one every two months. Elsewhere, she estimates that there are atleast six completed Holocaust documentaries that do not get distribution for every one that does. And the stream has continued at flood tide into 2003 – Barry Gewen wrote in The New York Times, June 15, 2003.
For Gilad Atzmon’s personal website, click here